Jazz-Rock Renegade Dean Brown Unleashes Expansive, All-Star Roller Coaster ROLAJAFUFU.

April 30, 2016, 9:38 a.m.
Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader.
The title is a playful acronym that encompasses rock-Latin-jazz-funk-fusion, the universes Brown explores on this diverse, kinetic recording.
Brown’s fiercely independent streak is also exemplified by the fact that this album was funded by his denizens of fans worldwide via PledgeMusic.
It’s Brown’s first self-released album, after four celebrated previous discs on the ESC label. He initially embarked on a successful solo career in 2001 after establishing himself as one of the most versatile, first-call virtuoso guitarists in the jazz, rock and funk worlds. Just a few of the global icons he’s worked with include Marcus Miller, The Brecker Brothers, Billy Cobham, David Sanborn, Bob James, George Duke, Roberta Flack, Lenny White, and Joe Zawinul.
His collective experience playing with these legends is mirrored in the ambitious nature of ROLAJAFUFU.
The 11-track album is Brown’s most personal statement to date. It takes inspiration from James Brown, John Coltrane, Jimi Hendrix, Sly Stone, and McCoy Tyner and channels it into multifaceted pieces ranging from the piercing to the poignant.
The album’s core, world-class band includes drummer Marvin “Smitty” Smith, keyboardist Gerry Etkins, and a rotating cast of bassists including Hadrien Feraud, Linley Marthe and Ernest Tibbs. Other key players include drummer Dennis Chambers, keyboardist Gary Husband, and saxophonists Brandon Fields and Craig Handy. All of them have been members of Brown’s performing units in recent years.
“Virtually everyone that played on the record already knew the pieces inside and out because they had played them live,” says Brown. “When it came time to put the record together, everyone just laid it down and nailed it. It’s an album made by people that lived and breathed these songs for weeks and months.”
The acronym ROLAJAFUFU speaks to the album’s wide-ranging perspective. But Brown wasn’t exploring myriad musical worlds simply for the sake of it.
“I really wanted this album to capture all of my musical personas in one place for the first time,” says Brown. “Every one of these genres, and the intersections between them, represent the compositional interests I have. What each piece has in common is that every one of them started with a strong melody. From there, I built the song around that core, rather than throwing in things just because they sound cool or clever. There’s lots of burning playing on the album, but it’s all filtered through serving a specific vision. Everything in my pieces serves a purpose so I can tell stories through the work.”
Part of the proceeds from Brown’s PledgeMusic campaign went to the VH1 Save The Music Foundation, a charitable organization determined to ensure public schools in the U.S. continue having the ability to provide music education in the wake of government cutbacks.
“I firmly believe music should be an essential part of the educational process for kids of all ages,” says Brown. “It hurts me to know many kids across the country no longer enjoy the significant benefits music education delivers. It’s why I wanted my album to help create awareness for this issue, as well as contributing to the solution.”
Brown’s perspective is that the power of music extends far beyond what goes into people’s eardrums. He experiences that every time he writes and performs. Anyone that’s seen Brown live understands how that translates into a charged, emotional experience that leaves no doubt about his intimate relationship with the muse. It’s common to see Brown leaping about with wild abandon at his gigs to the delight of the audience.
“I feel like I’m tapping into a higher energy when I write and perform. It’s about respecting the muse. I try not to think about it too deeply and just channel the flow. It’s about being open to inspiration and enabling an energy conversation to take place. I’m not interested in filters. ROLAJAFUFU is about pure inspiration. I’m thrilled with the end result and hope it inspires everyone who hears it as well.”

Learn more at: www.DeanBrown.com
Contact Dean Brown at: deanbrownguitar@gmail.com
I continue my mission in to everything about Rolex Replica with a brand new watch that showed up quite suddenly. To become fair I'd ignored ordering it since the Hamilton Replica Watch delivery process required such a long time, and so i made the decision not to postpone the SwissRolexMall.com review centering the replica Rolex Day Date I simply got, Patek Philippe Replica Watch it will likely be sliding off my Audemars Piguet Royal Oak Offshore Replica thoughts once more.
 

ARTIST'S LATEST VIDEOS

Kiko Loureiro at DV Mark Headquarters.

This is an interview with Kiko Loureiro about his career, his relationship with DV Mark and his use of the Multiamp.

Eric Gales interview at DV Mark Factory.

DV Mark top-artist Eric Gales interviewed by Musicoff.

Michael Angelo Batio with DV Little 250 M - 8 Pillars Of Steel.

On this video DV Mark top artist and guitar hero Michael Angelo Batio plays live in studio his song 8 Pillars of Steel. He's using a DV Little 250 M head getting his signature shred metal tone out of it!

Frank Gambale & DV Mark FGC121

On this video DV Mark top-artist Frank Gambale talks about his tone needs and how he gets the sounds he wants on his DV Mark FGC 121 amazing combo amp. Having used many different amps during his 50 years long guitar playing, he knows how the amp has to react to properly please him!

Greg Howe at DV Mark Headquarter.

Greg Howe visiting DV Mark headquarter, where he plays a little bit through his DV Little GH 250 signature head and he talks about his career in music.

Ciro Manna and DV Micro 50 - Rain Fall.

On this video DV Mark artist Ciro Manna plays the song Rain Fall from his solo album Feel'n'Groove. Ciro used the DV Micro 50 head into a DV Neoclassic 412 cabinet, connecting his pedal setup on the front end of the head amp.

Rob Balducci plays "Of The Earth" through the DV Micro 50.

DV Mark artist Rob Balducci using the DV Micro 50 to play his a classic song Of The Earth... killer tone!! Beautiful Tone inspires....

DV Mark artist Rotem Sivan plays DV Jazz 212.

Jazz great Rotem Sivan playing his DV Jazz 212 combo.

More Videos

TOP